Lithuanian artist Severija Inčirauskaitė-Kriaunevičienė continues her practice of employing the traditionally delicate process of cross-stitching to adorn hard metal objects with similarly delicate imagery. Her recent works include a rusty tanker decorated with water lilies and a series of found cans embellished with studies of colorful butterflies and insects. While playing on the irony of the juxtaposition, Severija is also able to tell a story about the objects and their respective histories.
Installed in the public space of Lithuania’s capital Vilnius, “Water Lilies” references motifs by Claude Monet and speaks to the history of the region, the power of water to sustain and destroy, and the changing utilitarian use of objects. Previously used to transport water from natural springs to reservoirs, gardens, baths, and streets, tankers are now more commonly used to transport waste; clean water has become the more rare and expensive substance. Severija’s “Tourist’s Delight” series uses flattened cans found discarded in the Caucasus Mountains as a commentary on the butterfly effect of disturbing natural environments. Though partially decayed, the objects will still outlast the creatures whose images have been stitched into them.
To see more Severija’s socially engaged embroidery, visit the artist’s website.
“Tourist’s Delight”. Photos by Modestas Ežerskis